![]() Passengers simply doesn’t have enough material to sustain itself as a feature at one point, former cigarette-smoking man William B. Rather than taking full advantage of his eye for characters, the screenplay lets Garcia’s other job, as a director-for-hire of respectable television episodes, take control. Garcia has patience, to be sure, but his sense of suspense is off-key Hathaway and Wilson look ill at ease with their investigative obligations, and the movie moves tentatively, with an over-sensitive score humming under too many scenes. His experience directing ensembles of believable female characters should be a breath of fresh air in a genre that often targets women by the most cynical means possible: sex crimes, imperiled children, and the occasional quasi-empowering escape-from-abuse scenario. ![]() Standing even further outside the pack is Eric (Patrick Wilson), a survivor with a peculiar sense of calm as well as an uncanny understanding of (and attraction to) Claire.Ĭlaire’s investigation of the crash proceeds without any boos or gotchas the director, Rodrigo Garcia, usually specializes in quiet, thoughtful, ensemble dramas like Nine Lives and Things You Can Tell Just by Looking at Her, and it shows. Hathaway plays Claire Summers, a young therapist trying to help a handful of plane crash survivors with differing accounts of their experience. So maybe it’s to Anne Hathaway’s credit that she gets Passengers out of the way now, and maybe it’s to the film’s credit that it’s not quite as craven or cheap as the worst of its brethren. Tom Hanks ( The Da Vinci Code), Halle Berry ( Perfect Stranger), Ryan Gosling ( Fracture), Nicole Kidman ( The Invasion), Johnny Depp ( The Ninth Gate), Jennifer Lopez ( Enough), Hilary Swank ( The Reaping), and Bruce Willis (take your pick), among others, have all been there, chasing, not catching, the kind of Hitchcockian timelessness that worked so well for Jimmy Stewart or Cary Grant. ![]() Hokey thrillers seem to be a rite of passage for the modern-day movie star even the most popular and/or acclaimed actors seem to wind up hustling through glorified B-movies, and do so even after said popularity and/or acclaim has been firmly established.
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